Posts Tagged ‘post rock’

Here is a really interesting song, that was brought to me after the loss of a close friend of the artist. This tragic event is the inspiration behind this piece of music.

The intro solo was recorded one-take at my studio with a cool-sounding Fender guitar. Acoustic guitars were also recorded for the outro and as a layer on the main section of the song. Everything else was brought to me already recorded, so I just reamped and mixed the whole thing in 1-2 days.

First time using Slate drums here, blended with my own samples of course.

Really went crazy with reamping here, 2 spot mics and 2 room mics. Didn’t phase align everything, instead I decided to use some out-of-phase mics to favor the vibe of the guitar sound.

Some cool things as well, for example I added white noise every time the snare is hit (it is pretty audible now that I told you, isn’t it?) Went for an out-of-the-box direction here, combining elements from other genres, like electro. The weird sound layer towards the end is a sample of a female exhaling. I twisted the sound through multiple delays and automated parameters, which added a cool effect to the song.

A great song, for a great cause. Recorded, Mixed and Mastered during April 2017.

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Long time no see once again! There are literally 6-7 bands that I have produced/mixed lately, but summer is not the best time to release music, so expect heavy traffic on September for this blog!

Anyway, first time working with Lunar Cycle, an alt-post rock band from Athens. The guys contacted me for a single after listening to my production for Forsaken Memoriam, I believe.

The impressive thing about this band is that every musician can REALLY play! For example, the tracking session for the bass guitar lasted for about 10-15 minutes, including tuning! Despite having a somewhat busy and instrument-heavy song, the recordings didn’t take that long: Preparation is half the battle!

Real drums on this one as well, that were tracked at my home studio with 10 mics. The captured audio was more than great (this guy also knows how to hit, which made my life easier) and there was no sample replacement involved. Everything went on from there, with many layers of guitars, synths, vocals and other elements like violin and piano.

First time using my new AKG condenser mic, with great results on both vocals and acoustic guitars. For violin recording I chose an XY technique with 2 small-diaphragm condenser mics. All synth parts is actual audio signal coming from a Roland Phantom 6  straight to the PRE73 (no MIDI information was used).

One of the things that I have really improved on, is the “Mix-As-You-Go” philosophy. In other words, after recording each instrument, I will take 2-3 minutes to EQ/compress it if needed, so that it sounds nice with the other elements. This can save time when mixing, and can help you decide whether each instrument will sit in the final mix or not.

A really nice and smooth session, and a pleasant experience.

Produced, Mixed and Mastered on June 2015.

First time working with Lavalanche, prog/post rock band from Athens. 9-Track full length album called Poverty Of The Stimulus.
The guys had already mixed their record elsewhere, but were not fully satisfied with the result, so they contacted me for a remix.
All instruments were already recorded, including real drums. What made the whole mixing process challenging was the fact that most effects (EQ, distortion, even delay effects in some cases!) were already printed on the tracks, so a lot of work had to be done to alter the character of each instrument and deliver a solid mix.
I was given full artistic freedom, which is always a great thing. For the chorus of the song “Mutation” I asked the guys of my band (Revolted Masses) to sing the words several times, so that I could create a choir with a “stadium-rock” feeling.
Decided to go for an LCR approach on guitars and minimum sample replacement on drums. What is also interesting about this session is that almost every track has either delay or reverb on it: there is even a track with reverb throws on the kick!
Last but not least, another example of an artist who chooses a dynamic approach on mastering over a squashed “commercial” one.

Mixed and Mastered during winter 2014.