Posts Tagged ‘greek rock’

Here is my first production for 2018. This track came to me on a basic format, so all I had was just an acoustic guitar, a basic drumbeat idea and vocals.

The real challenge for me was to give a vintage twist to the song without making it sound old-fashioned or outdated. So, the recipe was simple: 80s, almost disco feel to the drums, slap back delay on many elements, a heavily saturated bass guitar played with a pick, compressed vocals with (you guessed it!) slap back delay and various filters.

After listening to bands like Last Shadow Puppets, I also decided to add a Tarantino-style guitar and some backing vocals to compliment each chorus. A tambourine was also recorded, to add more groove to the whole song.

This is one of those times that I used multi band compression instead of just lazy EQing. This is a great way to achieve instrument separation without making everything sound small.

Recorded, mixed and mastered: December 2017-January 2018

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I am really happy and proud to present to you one of the best moments of my career as a musician and audio engineer. Greek people surely know this guy, but for those of you who don’t, Vasilis Papakonstantinou is one of the best and most famous greek rock artists with a big career starting from the 70’s and still going strong.
For his new release, I was asked to reamp the guitars for the whole record as well as perform the electric guitars for a song called “Nama”. The main engineer is George Archontakis, a famous artist with countless releases under his belt, and a guy I really look up to.
Production-wise, the reamping process took place at Vintage Studios, with George giving the general guidelines and reference for the desired sound. I brought an ENGL Fireball connected to a 2×12 Vintage-30s loaded guitar cabinet. A single SM57 mic was used, on the right spot. Depending on the song/part, we changed mic placement, EQ settings, even adding my trusty Maxon OD808 in front of the amp where needed. The final result was more than pleasing and everyone was happy with the high-gain sounds.
Playing-wise, I used my Hagstrom EMG-loaded guitar, using mainly the bridge pickup, except from the guitar solo. I was free to add some ideas, but the main structure of the song was already decided.
Some trivia about the song:
*)The main “hook” lead was initially meant to be played with a whammy pedal. I decided to try a double bend (bend->slide->bend) to imitate this sound and turned out great, so we doubled this part with a lower octave and kept that!
*)The guitar solo is one-take, first-take, without me knowing that I was being recorded. George asked me to “try some things” but he was secretly recording me, in order to play freely and spontaneously. After listening to it, we decided to keep it!
Working with these guys is a life and career milestone and a dream come true. I feel I learnt more from this experience than a year to any music school.

Recorded/reamped during Summer 2015.