Posts Tagged ‘2017’

Here is a really interesting song, that was brought to me after the loss of a close friend of the artist. This tragic event is the inspiration behind this piece of music.

The intro solo was recorded one-take at my studio with a cool-sounding Fender guitar. Acoustic guitars were also recorded for the outro and as a layer on the main section of the song. Everything else was brought to me already recorded, so I just reamped and mixed the whole thing in 1-2 days.

First time using Slate drums here, blended with my own samples of course.

Really went crazy with reamping here, 2 spot mics and 2 room mics. Didn’t phase align everything, instead I decided to use some out-of-phase mics to favor the vibe of the guitar sound.

Some cool things as well, for example I added white noise every time the snare is hit (it is pretty audible now that I told you, isn’t it?) Went for an out-of-the-box direction here, combining elements from other genres, like electro. The weird sound layer towards the end is a sample of a female exhaling. I twisted the sound through multiple delays and automated parameters, which added a cool effect to the song.

A great song, for a great cause. Recorded, Mixed and Mastered during April 2017.

Lost count on how many times I’ve worked with these guys. One of the most promising thrash metal bands, Chronosphere, are about to release their 3rd full length album, called “Red’n Roll”. The guys contacted me for vocals recording and general guidance on various subjects like mastering advice and cd image of their upcoming album.

The recordings took place some time ago, so I didn’t have the chance to use my newly acquired Shure SM7b. A nice sounding AKG condenser mic was used eventually that really flatters the vocals of Spyros. Add to that the Golden Age PRE73 preamp set almost to extreme, and you can imagine the amount of coloration in the final result. During some loud passages I could here a nice saturation that really helped the vocals to cut-through. Single takes on most of the tracks, a decision that allows all the fine details of each vocal take to be perfectly audible.

As a finishing touch, I also created the CD image for the factory. It’s really weird that many cd duplication factories have only recently started to accept .ddp file formats. But that’s another topic!

Always a pleasure to work with these guys. Recorded during 2015, released in 2016.